The “People’s Films,” when examined from the perspective of classical aesthetics, present a unique visual style that creates artistic conceptions through sparse filming and deliver a scenery-based ideology through background shots, contributing to the overall aesthetic taste dominated by plainness. Chinese national aesthetic tastes, distinguished by implicitness, symbolism, and ethereality, have the magical power to present charming conceptions via plain and simple scenes, thus endowing the “People’s Films” with natural, plain, and harmonious frames that are unique to China. Behind the silent and plain scenes are representations of personal cultivation and essential values cherished by the Chinese people, which are achieved via the momentary presence and entirety of scenes photographed in the films, delivering an internal transcendence of people’s consciousness.
"Flavor Amidst Plainness: An Examination of the Subjectivity of the “People’s Films” From the Perspective of Classical Aesthetics,"
Contemporary Social Sciences:
3, Article 8.
Available at: https://css.researchcommons.org/journal/vol2023/iss3/8